Poetry and Other Artifacts
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Scarab
Life as a jewel.
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Sky Burial
lcmt Impoverished, aging, beautiful once, loved once, but only once�such domestications long over, now only the wildest regard of fierce neglect swallowing half-made space, weightless. A house becoming sky �stucco and weeds becoming sails and spars.
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Proverb
lcmt 8. You can't avoid all white words cleansed by a tsunami if foolish salmon linger in your pocket. From The Mislaid Proverbs of Dr. Jaw by Nigul Mesikep, translated from the original Estonian by Ashtabula Littlehales
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Proverb
lcmt 6. When the night is an orange, keep a tang of weather in the pocket of a mustard-colored heart. From The Mislaid Proverbs of Dr. Jaw, by Nigul Mesikep, translated from the original Estonian by Ashtabula Littlehales
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Caption from the cartoon Geranium Lake Properties by Wm. Yost for Feb. 2, 1993
lcmt "But I did not know you yet," said one witness�too late�"in that narrow doorway of distorted air, between the roasted clay weather and an accidental blink."
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Constellation Reel
lcmt Whole night drummers came down from outcropping stars to join singers strangers, wayfarers, mariners, minstrels, storytellers, pilgrims, sightseers, passers-by, songbirds, dancers, beggars exiles on mapped floors of the rivermouth, onrushing voices wound in diffuse asymmetry, outstretched and generous.
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Riddle of the turnip belt snapping
lcmt Crimp, mother!�before you feudalize this panfish of fibrosity�unwrinkle your euphoria and resolve this kinetic jibe you wrote upon my heart in one night of rueful continuity �narrowly mimeographed and increasingly minimal when you consider how circular is stationary or how long is far �leashed is also released� when bluestem pieties in your heart's output become the first engrossment, when seconds grow dolomitic in your soul's defense, while three sets of reliance on four unstudied histories might�or might not�resemble a direction issued earlier in your ruinous voice, as a non-zero overreaching, overdue, or as an adroit peregrination muffled while retaining precision, troubled by pared-down aspects shunted into terse blips, flattened later among goblet-shaped tears, collaborative and tireless against your irreparable justness.
This poem is included in my newest thing, Chiral Phenomena, Intaglio Galosh Studio Press, 2011.
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free waves mustering
lcmt choo choo a world of bamboo and derailed ghosts totem poles in a barking sea moon tales from the other glass from the other garden from the other bone from the other rose from the empire of the hand and the cloister wall the legacy of a star is a stone the legacy of a stone is an hour the legacy of an hour is your heart and nothing more but a verse of snow and silence
This poem is included in Chiral Phenomena, Intaglio Galosh Studio Press, 2011.
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A digest of the result
lcmt This stone is marked out with the illness caused by an impromptu kinesis, and with numbers. The inscriptions were probably torn away during the civil wars after her early death. This stone ought to note that she was a pastelist and perfumer, given a parchment ear, yet living. She had kicked the bucket in far harsher mastery elsewhere, and had not forgotten the humble. Thirty-one years reading medieval languages weighted with proof of flight and abdication. Often broke, roving afresh, she was the last person who did not know where to trouble the planet.
This poem is included in The Wife of History and Other Planetary Characters, Intaglio Galosh Studio Press, 2010.
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Other Etiquettes
lcmt Wild animals and children spend, manage, ration their luxuries in a proper manner, and wear strewn flowers as cloth. Fieldstones or pieces of wood become trusted servants, accidental companions, arranged with acceptance and remembrance in the world beyond tin cherubs, gilt angels and cellophane grief.
This poem is included in Chiral Phenomena, Intaglio Galosh Studio Press, 2011.
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Objects Within Range
lcmt Several flowers may pop and shout to anyone built in easier apparel and smaller attachment, cutting joints in one fell swoop, driving the world you need to know: boxes and cabinets of coral feet, brass goggles and labor saving devices. You can memorize one pattern, one button, one dimension, once upon a sheaf of time following a folded seam throughout history and delight�examine both within range of several flowers, then you may pop and shout.
This poem is included in The Wife of History and Other Planetary Characters, Intaglio Galosh Studio Press, 2010.
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Nuestra Se�ora
lcmt She cannot renew the day without his cloudiness of glower She cannot abide coiled without his prudent appraisal of joy She cannot revive her doubt without his hasty precision and clipped verities She binds without disguise what he avers twice �she unfolds unlike truth and honey� and at least she will be inglorious but never a beggar doubled by a queen She gives and hinders careless of stones She occurs without limit groundless and late She takes in and talks out She upholds her descent and conserves her heart without moderation She cannot bury or narrow his conceits She cannot certify or deny his reconciliations But she will always disbelieve his hidden stillness and her lamplit recompense She often revisits his thickset robberies �she will mistake less than he seizes� and at least she will be uproarious but never a beggar doubled by a queen
This poem is included in Chiral Phenomena, Intaglio Galosh Studio Press, 2011.
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Grain Knot Eye
lcmt In this tin containing fire is a natural object knocked against the young echo of a whistle heard before the end of attachment �is a new meadow in two parts braided with a clasp and sacred flutter of six pages dimembr�to �is a one-legged journey across the anchor-ice of a century twisted into a stream of armor �is a wax cake of fretted nettles gleaned from Van Gogh's fallow management of poplars straight and twined �is a house of serpents wreathed one neck into another chained to the form of a pear tree �is an imperial foil cap crumpled by a few tinkling promises �is a one-lung diesel engine pushing a few carcasses �are a few silken sheets overgrown with southeast breezes �are a few wooden answers cut from twice-a-day letters �is a brief variation on a strain woven to shreds of costly insolence cast from a kitchen spoon �are worn shells resounding with noises beaten by bowed pipes clutched in brassy fear and wonder pointed towards an evening falling apart in dry husks wrenched all to flinders cut from thin stiff paper and wands coated with clean brown memories fresh-lighted under lavish skylines of ungrounded sleep laid between roped diamonds straw-packed in contours of joy crumbled into this tin containing fire.
This poem is included in Chiral Phenomena, Intaglio Galosh Studio Press, 2011.
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4 from the Cejir Suz Archipelago
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